Ithaca: Cornell University Press, 1984. 62 ratings8 reviews. Ren Wellek Prize. 2008, Member of LIterary Advisory Board : Electronic Literature Organization. Publication List. The Cosmic Web: Scientific Field Models and Literary Strategies in the Twentieth Century. of Chicago Press 2015), in addition to over 100 peer-reviewed articles. On this view, Hodges's reading of the gender test as nonsignifying with respect to identity can be seen as an attempt to safeguard the boundaries of the subject from precisely this kind of transformation, to insist that the existence of thinking machines will not necessarily affect what being human means. Science fiction is a methodological touchstone for Hayles because of the way it inherently combines thinking about technology and our relation to it. A New Paradigm for the Humanities: Comparative Textual Media (co-authored with Jessica Pressman), forthcoming University of Minnesota Press, 2013. We have to feel our way toward change. Anidjars major contribution to modern political theology lies in responding to this lacuna. Hayles conceptual toolkit allows users to define the human with technologies, as transhumanists would, and against technologies, when it is politically expedient to do so. James B. Duke Distinguished Professor of Literature. "Gregory Benford, author of Timescape and Cosm, "At a time when fallout from the 'science wars' continues to cast a pall over the American intellectual landscape, Hayles is a rare and welcome voice. Within the field of Posthuman Studies, Hayles' How We Became Posthuman is considered "the key text which brought posthumanism to broad international attention". The Fibreculture Journal : 23 | FCJ-172 Posthumanism, Technogenesis "[23] Dennis Weiss of York College of Pennsylvania accuses Hayles of "unnecessarily complicat[ing] her framework for thinking about the body", for example by using terms such as "body" and "embodiment" ambiguously. Powered by VIVO, James B. Duke Distinguished Professor Emerita of Literature, Digital Humanities; Electronic Literature; Literature, Science, and Technology; Science Fiction; Critical Theory. N. Katherine Hayles [12] Drawing on diverse examples, such as Turing's imitation game, Gibson's Neuromancer and cybernetic theory, Hayles traces the history of what she calls "the cultural perception that information and materiality are conceptually distinct and that information is in some sense more essential, more important and more fundamental than materiality. in chemistry from the Rochester Institute of Technology in 1966, and her M.S. October 14, 2013, The Materiality of Experimental Literature. Gender, according to Hodges, "was in fact a red herring, and one of the few passages of the paper that was not expressed with perfect lucidity. The whole point of this game was that a successful imitation of a woman's responses by a man would not prove anything. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics. [3] She is a social and literary critic. Anything less is a disservice to their missions and to the world (2017, 216). N. Katherine Hayles (Editor) 3.75. Meeting Martin Buber, in other words, means meeting the voice behind the words, a man who did not always know how to recover from institutions.. N. Katherine Hayles A reflection on the political implications of N. Katherine Hayles' critical aesthetic inquiry into the ecological relationships between the human and the technological, thought and cognition, and information and materiality. Amelia Jones of University of Southern California describes Hayles' work as reacting to the misogynistic discourse of the field of cybernetics. [1] Tracing a journey from the 1950s through the 1990s, N. Katherine Hayles uses the autobiographical persona of Kaye to explore how literature has transformed itself from inscriptions rendered as the flat durable marks of print to the dynamic images of . July 27, 2013, Technogenesis and Science Studies. For information on purchasing the bookfrom bookstores or here onlineplease go to the webpage for How We Became Posthuman. By Ada Jaarsma March 16, 2021 Isabelle Stengers January 9, 2011, Storyworlds in New Media. In a fine insight, Hodges suggests that "the discrete state machine, communicating by teleprinter alone, was like an ideal for [Turing's] own life, in which he would be left alone in a room of his own, to deal with the outside world solely by rational argument. How do we think? N. Katherine Hayles poses this question at the beginning of this bracing exploration of the idea that we think through, with, and alongside media. This gives reason for taking diverse modes of agency and subjectivity seriously. David Kline introduces the systems theory of Niklas Luhmann for political theology and reflects on how it might think about its own limits of observation. Perhaps it would mean focusing on underappreciated aspects of the Christian tradition, and other religious traditions, particularly those developed by womens intellectual labor. | Noting the alignment between these two perspectives, Hayles uses How We Became Posthuman to investigate the social and cultural processes and practices that led to the conceptualization of information as separate from the material that instantiates it. Expert Answer 100% (2 ratings) The correct answe View the full answer October 28, 2011, Cryptographic Grilles and Contemporary Literature. Hayles, N Katherine, and Jessica Pressman, eds. This construction necessarily makes the subject into a cyborg, for the enacted and represented bodies are brought into conjunction through the technology that connects them. Distinguished Guest Professor, Uppsala University, 2018-2022, Distinguished Research Professor of English, University of California, Los Angeles 2017-present, James B. Duke Professor of Literature Emerita, Professor of Literature and Director of Graduate Studies, Literature Program, Duke University, 2008-2014, John Charles Hillis Professor of Literature University of California, Los Angeles 2002-2008, Distinguished Professor of English, University of California, Los Angeles, 2003-2008, Distinguished Professor, Design/Media Arts, University of California, Los Angeles, 2003-2008, Professor of English, University of California, Los Angeles, 1992-2003, Professor of English, University of Iowa, 1990-92, Associate Professor of English, University of Iowa, 1985-1989, Visiting Associate Professor of Literature, Caltech, Fall 1988, Assistant Professor of English, University of Missouri-Rolla, 1982-85, Visiting Associate, California Institute of Technology, 1979-80, Assistant Professor of English, Dartmouth College, 1976-82, Chemical Research Consultant, Beckman Instrument Company, 1968-70, Research Chemist, Xerox Corporation, 1966, Literature, Science and Technology of the 20th and 21st Century, Modern and Postmodern American and British Fiction, American Academy of Arts and Sciences, Elected 2015, Hurst Distinguished Professor, Washington University, October 16-19, 2018, Luesebrink Career Achievement Award, Electronic Literature Organization, 2018, Critical Inquiry Professor, University of Chicago, April-May 2015, Holmes Seminar Professor, University of Kansas, June 2014, Lifetime Achievement Award, Society for Literature, Science and the Arts, 2013, Fellowship, Institute for Advanced Studies, University of Durham U.K., 2014-2015, Pilgrim Lifetime Achievement Award, Science Fiction Research Associates, 2012, Digital Publishing Grant, $10,000, Franklin Humanities Institute, Duke University, GreaterThanGames Humanities Laboratory, Co-Director, $225,000 grant for 2011-2014, Honorary Doctorate, Art College of Design, Pasadena CA 2010, Inductee, Innovation Hall of Fame, Rochester Institute of Technology, Rochester NY, 2010, Honorary Doctorate, Umea University, Sweden, 2007, Presidential Research Fellowship, University of California, 2006-7, ASC Fellowship, National Humanities Center, 2006, Fulbright Senior Specialist, Moscow University, 2005. 41860 [11035]Hayles,Katherine [1388]Invited Lectures Apophenia: Patterns (?) Unthought: The Power of the Cognitive Nonconscious. October 31, 2008, Digital Humanities: Its Challenges to the Traditional Humanities. It was the embodiment of a perfect J. S. Mill liberal, concentrating upon the free will and free speech of the individual" (p. 425). , Hayles, N. K., Fred C. Anson, Nancy Rathjen, and Robert D. Frisbee. If you are presently teaching or practicing digital, or a traditional academic in denial, or just curious about the impact of digital technology in the humanities, By making use of the humanist and scientist vocabularies, the book represents a new model of humanist writing, one that is avowedly concerned with the material aspects of epistemological practices., 1. October 22, 2010, Telegraph Code Books: The Place of the Human. (Our About page explains how this works.) In many ways, Blochs work inverts the classic dictum of political theology advanced by Carl Schmitt, that all significant concepts of the modern theory of the state are secularized theological concepts. For Bloch, theological concepts are intimations of the freedom of the secular and revolutionary socialist society. Twitter According to Hayles, most human cognition happens outside of consciousness/unconsciousness; cognition extends through the entire biological spectrum, including animals and plants; technical devices cognize, and in doing so profoundly influence human complex systems. January 5, 2013, How We Think:Contemporary Technogenesis. Institute for Advanced Studies, University of Durham. the cyborg feminism of Donna Haraway), and literary criticism (20th century novels exploring the human in relation to cybernetics and artificial life). Her research focuses on the relations of literature, science and technology in the 20th and 21st centuries. The subtlety and poetry of Nancys language can mask the rigor and the urgency of his thinking. April 21, 2011, Rethinking the Humanities. December 15, 2009, Plenary: Critical Theory in the Digital Age. "[23] Stephanie Turner of Purdue University also described Hayles' work as an opportunity to challenge prevailing concepts of the human subject which assumed the body was white, male, and European, but suggested Hayles' dialectic method may have taken too many interpretive risks, leaving some questions open about "which interventions promise the best directions to take. Hayles, Katherine, Patrick Jagoda, and Patrick LeMieux. A pseudo-autobiographical exploration of the artistic and cultural impact of the transformation of the print book to its electronic incarnations. Expanding our notions of what and who counts as political actors, allowing us to resist theologies of dominion and stewardship, or, in fact, any metaphysics that depends on the uniqueness of the human and the conscious integrity of human intentionality. Using this text, Hayles shows the richness that can be appreciated in cognition and information even when it is asemic. January 5, 2013, Re-Thinking the Humanities Curriculum. Solved According to N. Katherine Hayles, what is | Chegg.com Each of the invited papers was presented at a workshop at Durham University in 2015, held with Hayles, and focused on her work in the context of contemporary debates 6 Theory, Culture & Society 36(2) Rafael Vizcano offers a biographical introduction to the philosophical work of Enrique Dussel, a major figure of the decolonial turn. College Interest Areas Fellowship. in chemistry from the California Institute of Technology in 1969. [Marions] central concepts and phenomenological method offer an ambiguous resource for political theology: on the one hand, he articulates a rigorous method of doing phenomenology which is trained to remain open to phenomena historically ignored and marginalized, and on the other hand, his own conclusions can veer towards a Christian triumphalism which is in danger of betraying the primary aim of his philosophical project. To read Catherine Malabou is to embark upon an adventure of thought. She is well known for her research and understanding of the terms "human" and "posthuman" as concepts emerging from our historical . The proposition can be demonstrated, he suggested, by downloading human consciousness into a computer, and he imagined a scenario designed to show that this was in principle possible. Duke University Relying solely on their responses to your . John Simon Guggenheim Memorial Foundation. Humanities Division, UCLA March 15, 2013, Apophenia: Patterns in Electronic Literature. '[Hayles] has written a deeply insightful and significant investigation of how cybernetics gradually reshaped the boundaries of the human. November 23, 2011, TOC and Complex Temporalities. Her research focuses on new religious movements, as well as aesthetic and ontological questions raised by new media and technology. by N. Katherine Hayles. theorist N. Katherine Hayles' oeuvre at the intersection of literature and computational science and technology. October 15, 2011, Tenure review evaluator : Tenure Review, Fabian Winkler. Crucially, then, cognitive assemblages are inherently politicalThey are infused with social-technological-cultural-economic practices that instantiate and negotiate between different kinds of powers, stakeholders, and modes of cognition (Hayles 2017, 178). As such, close reading justifies the discipline's con- Ren Wellek Prize for Best Book in Literary Theory for 1998-99, awarded by the American Comparative Literature Association to How We Became Posthuman Eaton Award for the Best Book in Science Fiction Theory and Criticism for 1998-99, awarded to How We Became Posthuman Council of the Humanities Fellowship, Princeton University, 2000, Eby Award for Distinction in Undergraduate Teaching, UCLA, 1999, Luckman Distinguished Teaching Award, UCLA, 1999, National Endowment for the Humanities Fellowship, 1999, Bellagio Residential Fellowship, Rockefeller Foundation, 1999. by N. Katherine Hayles Winner of the 2003 Susanne K. Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form presented by the Media Ecology Association (MEA) $29.95 Paperback Hardcover 144 pp., 6 x 8 in, 56 b&w illus. You are the cyborg, and the cyborg is you. You use the terminals to communicate with two entities in another room, whom you cannot see. In this speculative inquiry, as in her whole corpus of work, Hayles seeks a mode of investigation potently suited to a posthuman world in which other species, objects, and artificial intelligences compete and cooperate to fashion the dynamic environments in which we all live (2014, 179). September 24, 2011, Recursive Play in Braid. An Interview with N. Katherine Hayles1 - JSTOR December 15, 2009, Plenary: Rethinking the Humanities in a Digital Age". Box 951530 By including gender, Turing implied that renegotiating the boundary between human and machine would involve more than transforming the question of "who can think" into "what can think." Pilgrim Lifetime Achievement Award. Berlant is our preeminent contemporary theorist of how intimate practices bleed into and with national formations, and condition specific and powerful fantasies for what a good life or functional society would involve. If you cannot tell the intelligent machine from the intelligent human, your failure proves, Turing argued, that machines can think. But by Hayles own lights, her early articulation of posthumanism remained unfinished in its exploration of the consequences of emphasizing the embodiedness of information and cognition as a key element of a liberatory posthumanism. As you gaze at the flickering signifiers scrolling down the computer screens, no matter what identifications you assign to the embodied entities that you cannot see, you have already become posthuman. December 15, 2009, Critical Theory in the Digital Agej". This is because transhumanism secularizes traditional religious themes, concerns, and goals, while endowing technology with religious significance (2012, 710). Turing fundamentally did not understand that "questions involving sex, society, politics or secrets would demonstrate how what it was possible for people to say might be limited not by puzzle-solving intelligence but by the restrictions on what might be done" (pp. [1] She is the James B. Duke Distinguished Professor Emerita of Literature, Literature, Trinity College of Arts & Sciences at Duke University.[2]. Thus, Hayles links this to an overall cultural perception of virtuality and a priority on information rather than materiality. College And air will never cease to carry us, to lift us up, to set us into flight, even when we no longer live in a body that tried (if unsuccessfully) to fly.. The book is generally praised for displaying depth and scope in its combining of scientific ideas and literary criticism. It would also necessarily bring into question other characteristics of the liberal subject, for it made the crucial move of distinguishing between the enacted body, present in the flesh on one side of the computer screen, and the represented body, produced through the verbal and semiotic markers constituting it in an electronic environment. While Carl Schmitt claims that the enemy constitutes the political, his various writings largely ignore the historical and discursive evolution of the enemy. In this volume, fourteen theorists explore the significance for literary and . 1 Hayles' previous works include How We Became Posthuman: Virtual Bodies in Cybernetics, N. KATHERINE HAYLES is professor of English atthe University of California, Los Angeles. While Hayles work has been critiqued by some for not engaging sufficiently with the political (especially the political economy of post-industrial cognitive capitalism), it does offer political theology a non-teleological theory of human-machine co-evolution that points toward new conceptions of power and authority conceptions that challenge the dominant narrative of Western Enlightenment and, by extension, the theo-political structures and concepts used historically to think about the political. Unthought draws together everything Hayles has dealt with and created before: neuroscience, cognitive biology, posthuman studies, speculative realism, robotics, AI, and the digital humanities. In, Flesh and Metal: Reconfiguring the Mindbody in Virtual Environments. PDF N. KATHERINE HAYLES Address - Duke University December 15, 2009, Digital Humanities 2.0,. They are all part of cognitive assemblages that develop through biological evolution by natural selection as well as technogenesis. | Terms of Use | N. Katherine Hayles. Books by N. Katherine Hayles - Goodreads in English literature from Michigan State University in 1970, and her Ph.D. in English literature from the University of Rochester in 1977. Rather, the important intervention comes much earlier, when the test puts you into a cybernetic circuit that splices your will, desire, and perception into a distributed cognitive system in which represented bodies are joined with enacted bodies through mutating and flexible machine interfaces. OOO is a noncorrelationist, flat ontology premised on the notion of withdrawal: that is, OOO sees all things in terms of objects, which have existences independent of human observation, and which are never fully knowable by humans. Ithaca. Like all good magic tricks, the test relies on getting you to accept at an early stage assumptions that will determine how you interpret what you see later. In Espositos most explicit political theology work, he is concerned with re-working, or rather destabilizing, the essence of political theology. Her twelve print books include Postprint: Books and Becoming Computational (Columbia, 2021), Unthought: The Power of the Cognitive Nonconscious (Univ. N. Katherine Hayles is Professor of English and Design/Media Arts at the University of California at Los Angeles. 2014. YouTube. How We Became Posthuman. ': Families, Snitches, and Recuperation in Pynchon's Vineland, Turbulence in Literature and Science: Questions of Influence, Space for Writing: Stanislaw Lem and the Dialectic 'That Guides My Pen, 'A Metaphor of God Knew How Many Parts': The Engine that Drives "The Crying of Lot 49", Self-Reflexive Metaphors in Maxwell's Demon and Shannon's Choice: Finding the Passages, Information or Noise? Unthought: The Power of the Cognitive Nonconscious. Notes. The subject in posthumanist theory: Retained rather than dethroned Hayles other notable works (Writing Machines [2002]; Electronic Literature [2008]) articulate and flesh out material processes of information movement and the neurobiological processes of human cognition. This interview with N. Katherine Hayles, one of the foremost theorists of the posthuman, explores the concerns that led to her seminal book How We Became Posthuman (1999), the key arguments expounded in that book, and the changes in technology and culture in the ten years since its publication. saving. Chaos and Order: Complex Dynamics in Literature and Science by N Separate from his theology, Dussels philosophy of liberation offers crucial reflections for contemporary political theology. For instance, N. Katherine Hayles regularly brings up Media-Specific Analysis (MSA) in her body of works, 45 an analytical method which relies on drawing attention to the medium of a given work . As Have Tirosh-Samuelson writes, the transition from the human condition to the posthuman condition will be facilitated by transhumanism, a project of human enhancement that she argues should be seen as a secularist faith (2012, 710). June 26, 2013, Technogenesis: The Role of the Digital Companion. September 23, 2011, Neural Plasticity and Digital Media, Keynote lecture. 1999, 338 pages, 5 line drawings Chicago: University of Chicago Press, 1999. January 5, 2013, Speculative Aesthetics: Object Oriented Inquiry (OOI). Unthought: The Power of the Cognitive Nonconscious by N. Katherine Narrating Bits: Encounters between Humans and Intelligent Machines, This page was last edited on 16 April 2023, at 11:26. Thus the test functions to create the possibility of a disjunction between the enacted and the represented bodies, regardless which choice you make. The Silent History imagines what would happen when humans can no longer represent themselves in language after a whole generation is born that neither uses nor responds to speech or writing. Your job is to pose questions that can distinguish verbal performance from embodied reality. Amazon.com: How We Became Posthuman: Virtual Bodies in Cybernetics Whereas the Turing test was designed to show that machines can perform the thinking previously considered to be an exclusive capacity of the human mind, the Moravec test was designed to show that machines can become the repository of human consciousnessthat machines can, for all practical purposes, become human beings. External Faculty Fellowship. She is currently embarking on a Tri-Agency-funded study of existential, social, and political concerns involved in a medical AI diagnostic tool called the digital cancer twin, including how we think ourselves through time with predictive AI. University of Chicago Press, 1999. Electronic Literature: New Horizons for the Literary. N. Katherine Hayles and James J. Pulizzi, "Narrating Consciousness," History of the Human Sciences 21.3 (2010): 131-148. GreaterThanGames Humanities Lab Grant. Facebook 1999. the post-World War II Macy Conferences on cybernetics), cultural studies (e.g. Why does gender appear in this primal scene of humans meeting their evolutionary successors, intelligent machines? ", 'The Time of Digital Poetry: From Object to Event,' in, 'The life cycle of cyborgs: writing the posthuman.' 2017. Marshalling fresh insights from neuroscience, cognitive science, cognitive biology, and . The scientific discovery that chaotic systems embody deep structures of order is one of such wide-ranging implications that it has attracted attention across a spectrum of disciplines, including the humanities.

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